Ibrahima Sanlé Sory (b. 1943) started his photographic career in Bobo-Dioulasso in 1960, the year his country gained independence from France, then under the name République de Haute-Volta, now Burkina Faso.
Working with a Rolleiflex twin lens medium format camera, his Volta Photo portrait studio soon became recognised as the finest in the city. He documented the rapid evolution of a post-colonial Bobo-Dioulasso, then Haute-Volta’s cultural and economic capital, portraying the city’s inhabitants with the wit, energy and passion that epitomises Voltaic photography’s golden age.
Sory’s photographs were featured in the recent Auto Photo exhibition at Fondation Cartier, Paris, and the Art Institute of Chicago show Volta Photo: Starring Sanlé Sory and the People of Bobo-Dioulasso. This significant exhibition brought together over 100 vintage photographs, plus objects from the Volta Photo studio, including illustrated backdrops, studio lighting, cameras and props and was the first solo exhibition of an African photographer’s work at a museum in the United States.
In addition to Fondation Cartier and Art Institute of Chicago, Sanlé's work is also held in the permanent collections of the V&A, MoMA, Minneapolis Institute of Art and North Carolina Museum of Art.
Sory Sanlé – Volta Photo 1965-85 (Reel Art Press 2017), Sanlé Sory: Volta Photo (Steidl 2018), Peuple de la Nuit (Stanley / Barker 2019).